Grateful Dead
June 10, 1973
RFK Stadium
Washington, DC
2 Source Matrix
Set 1
101 - gd73-06-10s1t01 - Tuning
102 - gd73-06-10s1t02 - Morning Dew
103 - gd73-06-10s1t03 - Beat It On Down The Line
104 - gd73-06-10s1t04 - Ramble On Rose
105 - gd73-06-10s1t05 - Jack Straw
106 - gd73-06-10s1t06 - Wave That Flag
107 - gd73-06-10s1t07 - Looks Like Rain
108 - gd73-06-10s1t08 - Box Of Rain
109 - gd73-06-10s1t09 - They Love Each Other
110 - gd73-06-10s1t10 - The Race Is On
111 - gd73-06-10s1t11 - Row Jimmy
112 - gd73-06-10s1t12 - El Paso
113 - gd73-06-10s1t13 - Bird Song
114 - gd73-06-10s1t14 - Playing In The Band
Set 2
201 - gd73-06-10s2t01 - Tuning
202 - gd73-06-10s2t02 - Eyes Of The World ->
203 - gd73-06-10s2t03 - Stella Blue
204 - gd73-06-10s2t04 - Big River
205 - gd73-06-10s2t05 - Here Comes Sunshine
206 - gd73-06-10s2t06 - Around And Around
207 - gd73-06-10s2t07 - Dark Star ->
208 - gd73-06-10s2t08 - He’s Gone ->
209 - gd73-06-10s2t09 - Wharf Rat ->
210 - gd73-06-10s2t10 - Truckin’
211 - gd73-06-10s2t11 - Sugar Magnolia
Set 3 **With Dickey Betts, Butch Trucks and Merl Saunders**
301 - gd73-06-10s3t01 - Tuning
302 - gd73-06-10s3t02 - It Takes A Lot To Laugh It Takes A Train To Cry (missing)
303 - gd73-06-10s3t03 - That’s All Right, Mama
304 - gd73-06-10s3t04 - The Promised Land
305 - gd73-06-10s3t05 - Not Fade Away ->
306 - gd73-06-10s3t06 - Goin’ Down The Road Feeling Bad ->
307 - gd73-06-10s3t07 - Drums ->
308 - gd73-06-10s3t08 - Not Fade Away ->
309 - gd73-06-10s3t09 - Johnny B. Goode
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Soundboard (shnid:89730)
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Recording Info:
SBD -> Master Reel -> Dat -> CD
All Transfers and Mastering By Charlie Miller
January 29, 2008
Patch Info:
(FOB) Unknown Mics -> Master Cassette -> Reel -> Korg MR-1000 supplies:
Eyes Of The World (6:54 - 6:56)
Notes:
— All disc changes are seamless
— This is a fixed version of shnid=89640
— Cleaned up many flaws and fixed the levels
— It may not be perfect, but it’s a lot better
— Patch source recorded by Bill Gadsden
— Patch source transferred by Charlie Miller and Neil Sturtevant
— Set 3 is with Merl Saunders, Dickey Betts and Butch Trucks
— Beginning of Beat It On Down The Line is cut
— There are some flaws in The Race Is On that still remain
— Reel flip in GDTRFB patched with alternate SBD source
— Thanks to Jeremy Humphreys for the GDTRFB patch
Audience (shnid:121031)
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gd1973-06-10.121031.barry.smith.AUD-fob.flac2496
Source:
— taped and remastered by Monte Barry
— Sony TC 2850SD portable stereo cassette recorder
— Sony ECM 99 single-point stereo mic
— mic is hand-held on mic-stand shaft, with arm raised up
— FOB center infield, between sbd platform and stage platform
Lineage:
— transferred by Matt Smith
MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One
soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
Notes:
— this is a major upgrade in sound quality
— replaces Monte’s shnid 90351
— these transfers are fixed up pretty good
patch list:
— Morning Dew has SBD patch from 07:02.5 until 07:14.2, due to accidental pause/unpause by taper
— PITB has AUD patch from 05:30.8 until 06:10, due to reel change
— PITB set-ending announcement has SBD patch
— Eyes Of The World has AUD patch at start until 14:52.5, due to taper getting stoned during break
— Big River has AUD patch at start until 00:02.6
— Around And Around has SBD patch at end from 05:13.9 to 05:41, “We’re gonna tune up real good”
— He’s Gone has SBD patch from 14:30.2 to 14:48.2 (ending), due to reel flip
— Wharf Rat has SBD patch from the start to 00:12.5, due to reel flip
— That’s Alright Mama has SBD patch from 06:11.2 to 08:59.5, due to tape damage
— GDTRFB has SBD patch from 04:42.3 to 5:05.3, due to reel flip
— I cleaned up most of the glitches, and I tagged the files
SBD patch Source and Lineage: shnid 90979
transferred by David Hollister and G.S. Hamilton
MR > PCM > cassette > DAT > CD > EAC > SHN
AUD patch Source and Lineage: shnid 89681
taped by Bill Gadsden
(FOB) Unknown Mics > Cassette Master > Reel (1/4 Track - 7.5 ips)
transferred and mastered by Charlie Miller
Reel (Sony TC-366) > Korg MR-1000 > Samplitude Pro 10.02 > FLAC
This AUD recording epitomizes the very best of the Grateful Dead “live sound” for the
time. The prototype Wall of Sound is nailed by Alembic and the sound crew for this
show. Set within an outdoor Stadium, this close-up infield FOB spatially captures
sound from the two Aux PA towers on the infield, behind the taper. This sound delay
adds a touch of ear candy as it rolls around the stadium. This show, and June 10
was by far the best sound I ever heard come out of a PA System, period. It was a
sensational orgy of sound.
Matt Smith did a great job transferring these tapes of mine! Thank you!
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—Thank you Charlie Miller for your work on the SBD.
—Thank you Bill Gadsden,Neil Sturtevant and Jeremy Humphreys for the patch sources.
—Thank you Monte Barry for recording and mastering the show.
—Thank you Matt Smith for the AUD transfer.
—Thank you Dan McDonald (droncit) for technical consultations.
—Thank you XJ32 for the art work.
—Thank you Germain for your advice, encouragement, guidance and seeding.
Matrix by dusborne
08-22-2014
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